John Tunnard
(1900-1971)
"Vane",
dated 1942,
mixed media,
38 x 57cms, 55 x 73cms in frame.
Exhibition:
-The Redfern Gallery, 'John Tunnard', July 9th-August 1st 1942, No.6.
Provenance:
-Redfern Gallery to Mrs Penrose, Marlborough, Wilts (23rd July 1942);
-Henry A. Turl;
-Johnathan Clark Fine Art Autumn 2003, No. 25 (had owned previously and now returned by the person to whom it had been sold);
-Clark to Brian Witton 21st October 2003 for £15,000.
Notes:
A surrealist piece, Vane shows a strong influence of Paul Klee. The Tunnardian 'landscape' stems from the imagination, but the elements in it are often disquietingly familiar. In this case, the "Vane" is given the colours of red and blue, hinting at north and south, to which a weather vane points. Alnico magnets gained popularity in the early 1940s. Tunnard may be using the contrast to make a statement of the two sides of the war, perhaps the male and female, as the two colours have different shapes. Either way, both are attracted to the same point. Tunnard is making a statement at the height of the Second World War, as a pacifist and a registered conscientious objector, that although both sides are opposed, ultimately, they can come together for the good of humanity.
Also, Tunnard’s friend, Rudolph Glossop, claimed that he had been regarded as a promising mathematician when at Charterhouse and claimed that "had he not chosen to be a painter, he might well have been an outstanding civil engineer or architect". Tunnard’s former student, Jonathon X Quadrille, recalled that he would talk as happily about the engine of his Hispano Suiza motor car as about the practice of painting’. The ‘technological eye’ that produced the machine-like constructions and contemporary imagery of his paintings around this time greatly appealed to his contemporaries, who were scientists and engineers, several of whom became friends and collectors.
Sold for £25,000
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Auction: John Tunnard – The Brian Whitton Collection: Their Lives and Work, 23rd Apr, 2026
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